How to Write About Contemporary Art
How to Write About Contemporary Art
21.00 x 14.00 cm
Paperback with flaps
With 34 illustrations
First published 2014
This is the definitive guide to writing engagingly about the art of our time.
Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language.
‘... an illuminating, engaging and urgent guide to contemporary art-writing. Essential reading for arts students … invaluable for anyone involved in the art world’ – Hans Ulrich Obrist, co-Director, Serpentine Gallery
‘Williams’s methodology is flawless ... gives insight to the inner workings of very different industries: academia, auction houses and mainstream and professional press'– frieze
‘Will become a standard text for anyone studying or interested in critical writing and the very vexed subject of “writing about art”’– Michael Bracewell, critic and novelist
‘Applies lessons in graceful prose to the field of art writing [...] Williams excels ... when giving nuts-and-bolts advice for crafting specific genres of art-world documents (catalogue essays, short news articles, academic essays, and the like). [This] how-to provides enough art-specific insights to cut through the garble so common in the field” '– Publisher's Weekly
‘Fantastic ... a must-read for every writer, reader, artist and designer’ – Fullscream.com
‘Thrillingly clear’ ‘A beautifully formed guide to writing ... an incisive manual for clarity of thought. This guide could as easily apply to writing (and indeed thinking) on any creative endeavour... Essential!’ – Dressing the Air.com
‘A thoroughly sensible and accessible guide to writing that could almost be applied to any subject’ – ArtBookReview.net
Click here to see more of the enthusiastic press reviews
Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs.
In counselling the reader against common pitfalls such as jargon and poor structure Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts.
More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk.
Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.
Gilda Williams is a London correspondent for Artforum and lecturer at Goldsmiths College and Sotheby's Institute of Art, London. From 1994 to 2005 she was Editor and then Commissioning Editor at Phaidon Press. She is a former managing editor at Flash Art International and her writing has appeared in Tate Etc., Parkett, Art Monthly, Art in America and Time Out.
Gilda Williams is author of The Gothic (2007) and has contributed to catalogues for exhibitions at the Whitechapel Art Gallery, London, the 48th Venice Biennale, and the Stedelijk Van Abbemuseum, Rotterdam, among others.